Crimewave (1986) - For the Bruce Campbell / Sam Raimi completests

"Crimewave" is a zany comedy-¿horror? movie by Sam Raimi. It is told as a flashback from the a guy who you might think you recognize from that thing, but it turns out you have never watched anything he has been in. It is about a murder for hire scheme that he ends up being framed for. Bruce Campbell plays one of his best characters as The Heel ("You get the cab baby - I don't want to break a $100" or "I've never seen you here before. I like that in a woman."). Brion James and Paul Smith play the hit men. You will recognized Smith as Beast Rabban from "Dune" (1984). Those guys are gonzo. A young Frances McDormand is in it for a couple minutes. Sheree Wilson (from Walker Texas Ranger) plays the heroine.

It was written by the Raimi + Coen Bros (which explains why Frances is in it). It is like watching an 80 minute Three Stooges film. Lots of sound effects and a jazzy score. It is PG13, so I think the 'horror' aspects comes from the the violent premise, but it is really a lot of slapstick. A bunch of car chase sequences too.

It is well shot with very high production value. Cast / director / sets / stunts ... all really well done. As far as 'bad movies' go, this one's issue is a convoluted story telling - I think this is a byproduct of editing which is probably a by product of budget issues during production. It is always the editor

If you LOVE Raimi or LOVE Campbell - watch it.

If you really enjoy MADTV sketches - watch it (probably in 22 minute chunks until you have had your fill)

If you are a fan of the Three Stooges - watch "Soup to Nuts" ... it is a much better movie.

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Big Deal on Madonna Street (1958) - it is a good deal better than the remakes

I got around to watching the original 1958 comedy caper film - the one that "Welcome to Collinwood" was pantomiming. "Big Deal on Madonna Street" is hilarious. It is 25 minutes longer than the remake and never once did I feel the need to check my watch. I even paused to go refill my water glass. There will be no problem telling who is who or how the story goes - it is well shot and characters are unique. The story is a simple and fun. Comparing the "BDoMS" and "WtC" - they are identical in terms of characters and scenes. "Big Deal on Madonna Street" street is terrific, and "WtC" is a slog. The biggest difference is seen in the dialog. In "Big Deal" the people just talk, like you might expect people to talk. They are funny, but not odd. The colloquialisms happen, but they aren't hard to see through. In "WtC", they are using a vernacular to make sure you are immersed deep in an Eastern European ethnic nei...

Lara Croft vs. Tony Stark - a comparison of Earth's mightiest defenders

I watched “Lara Croft: Tomb Raider” (2001) recently. It is not nearly the deep exploration of the human psyche I remembered. Maybe that is why I had time to think that her story has a lot of similarities to the MCU Iron Man, just smashed into a single movie. There is not the same degree of character growth for Croft as for Stark, but there is an archetype here that stuck me. They are both: Athletic with distinctly styled dark brown hair Exceptionally smart & adventurous Utilize clever tools and gadgets Snarky / Funny / Patronizing to the people around Attended to by an attractive personal assistant Rich / Entitled / Play(boy/girl) / Philanthropist-ish Compelled to protect the world from BIG evil Driven by living up to a relationship with father In terms of contrasts: Laura Croft rides a motorcycle, listens to hip-hop and talks with a posh (and yet reed thin) English accent. Tony Stark was able to build [a hockey puck sized nuclear reactor] in a cave! With a box of scraps! (Jef...

Running with the Devil (2019) - Ok folks, let's make a ¿something?

How do you take a 100 minute movie with Nick Cage, Larry Fishburne, Leslie Bibb, and Barry Pepper - as well as Cole Hauser, Adam Goldberg and Peter Facinelli - and somehow make an unwatchable stew of tones and over the top cliches? I think you give it to a TV director, TV writer, and TV editor. I could not actually finish it. Even for me, that is pretty bad. It is a series of scenes that could have been part of a TV-series, but they weren’t. They were just the beats from a TV-series. Maybe it was put together by some people who read the wikipedia article for “Traffic” (2000) - then sketched a storyboard for a telenovela - then remembered they were making a movie and just cut it back down from there. It is like it has been sequentially translated into 2 different languages, each time by someone who wasn’t a native speaker. Set designs were thrifty, but not too cheap. Cinematography is somehow gray and lurid at the same time. If there was a highlight, it is the music. It was the onl...

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