Skip to main content

Aniara (2018) - Space is full of our fears

"Aniara" (2018) is ostensibly a scifi film about a passenger ship en route to Mars that goes off course. Think "Avenue 5" (2020) but with less Hugh Laurie wit, Josh Gad mania and no comedic electricity from Jessica St Clair or Zach Woods.

"Aniara" is based on an epic poem - and it explores how humanity, set adrift in the cosmos, struggles to find a path to purpose.  The narrative is centered on a woman who operates an AI Virtual Reality machine which provides an immersion therapy for people who are trapped on the ship - it fills them with a sense of paradise that they ultimately have to be unplugged from to face the existential dread reality of the sarcophagus they are on. The woman, Mimarobe, is earnest trying to make the best of what she is given. She is flawed - she is treated unfairly - she finds love - she faces grievous loss. All the while, she perseveres.

I see her as a Job like character. Not exactly: she never gets angry at God and she doesn't receive a double portion in the end. No sackcloth or boils. But she faithfully acts out her role in time and space caring for her fellow travelers. She is no saint - she felt very real and representative of the life many people expect. She understood her plight from the circumstances she was in, but she kept lifting up and carrying on the best she could with what she had. She had plenty of opportunity (encouragement even) to give up and die, but Mimarobe chooses to honor the life she was given. Her refusal to yield to despair felt almost sacred.

Space isn’t filled with aliens or black holes — it’s filled with ourselves. Our trauma, our longings, our need for meaning. Some define their meaning in a fiction.  Others give it over to a compulsion they endure.  Some never find it and give up. But some rise - called to be present: whole, messy and joyous with others. 

Comments

Popular posts from this blog

Midnight Run (1988)

 I need to add one more to my [perfect movie] list: "Midnight Run" (1988). I don't think I had seen it before until now. It holds up well, it is very quotable, shot and edited really well. You can understand how this guy made "Beverly Hills Cop" four years earlier. I do think the secret of this (and BHC) is character. These characters are really well written and played. Charles Grodin is giving a master class in playing down beat against DeNiro's comedic version of "Taxi Driver". Yaphet Kotto looks like he is going to have an aneurysm - and Dennis Farina is truly a scary Chicago mobster. Added bonus - Danny Elfman soundtrack.

Fences (2016)

Fences (2016) is nominally a story about being black in the United States of America in the 1950's. 'Troy' is a disaffected working man that never really had a chance. He is unable to make sense of an unfair world. Viola Davis doesn't get as much screen time (this is Denzel's movie), but when she is let on the scene, she destroys. 'Rose' is setting herself aside to make a life & family despite very little prospects for measurable happiness. Based on an August Wilson play - the magic of his writing is that at its root, this story is about people who set aside themselves for "existence". All people yearn for happiness on this world from their achievements (at least to achieve 'success' & 'happiness' relative to people around them). People want to proclaim they are in control of their situations. People want to be treated generously and with respect. People think that the world, society, economy, and people around them should a...