Skip to main content

Black Legion (1937) - a dark tale about today

I was asked by a friend to check out “Black Legion” (1937) because he seemed to appreciate my movie reviews. That led me through a rabbit warren of two movies, two radio shows, one 50 page “pamphlet” written by a 1936 American communist published by The University of Texas in Austin, and lots of other people’s internet research. All of the ‘entertainment’ media was produced in that ‘36~’38 window. I appreciate being asked, but you have to be careful about fan-service folks - it can get you a second job while you aren’t looking.


1937 shows young Bogart - well before he met Baccal and before it was obvious he was going to die soon. Most consider “High Sierra” to be his star-making role, but you can see it coming here. This year also gives us a spot in the fat of the Hays Code. PCA compliant “Code” movies tend to feel either like a children’s Sunday School lesson or very simple drama / action stories. This is neither and yet both. I came in to watch unprepped thinking I was getting a noir film - I came through it with a lesson that history repeats itself, and humans are dangerous when they become mob-making scaredy cats.


I would call it “editorial” cinema. Both this and “Legion of Terror” (1936), the 1937 radio episodes of “True Detective” and ‘38 “The Shadow” were like that. They represent a point of view that says “fascists” are bad for humanity (*snort). Fascists begin because we are afraid of change and our lack of control in life. Our plans are set and the world we live in is not - and that scares us. Frightened people do desperate and scary things. They huddle together with other people who are afraid. They are nurtured and their desperate efforts flourish because morally bankrupt people in positions of power use fascism for profit as well as to remain in power. Fear sells. People even pay to be inside the fear machine - it is better to be part of a scary thing than out there getting through the fear you can’t control.


In this specific story, fascism came in the form of a real life organization called “The Black Legion” which was a splinter of the Ku Klux Klan. It was organized into jingoistic military-like structures, it had a hierarchical bureaucracy that you paid dues into, swore your allegiance to, and took your orders from. Those orders were to intimidate, assault, and destroy whoever “they” were that “are ruining your lives”. For the Black Legion, THEY were Jews, Catholics, people of color (what constituted non-white was pretty broad), people with ‘liberal’ or ‘progressive’ ideas, and just about anyone who for whatever reason bothered  someone in the Black Legion. The Black Legion had squads that carried out the evil jobs and squads that followed up on the evil doers to make sure they did their jobs. Their downfall came because after one of the many murders they committed someone got caught and confessed.  That is the ripped from real life plot of all of these shows.


This is not much of a movie review. As a film it was exciting and entertaining. “Black Legion” was about 83 minutes, “Legion of Terror” was just over 60, and the radio shows were under 30 minutes each. Each of them is easy to get into and they keep you with their narrative & characters. The radio program commercials were interesting - especially the part where Agnes Moorehead (“Bewitched”) tells you to call into the Blue Coal Corporation tomorrow and tell them you heard about Blue Coal from “The Shadow”. They sold the finest anthracite available.


Unfortunately, I could not stop thinking that if you shot this again in the 2020s, it could be a week in the life of whoever ‘One America News Network’ or ‘Breitbart’ says are the real patriots. If you want links to the media or the pamphlet I uncovered, let me know. If you are a reader rather than a watcher or listener - just do the pamphlet. It starts drama and morphs into a news-like research piece then goes op-ed. It is really well written.


Comments

Popular posts from this blog

The Thing in the Basement

What do you do if you have 6th, 7th, and 12th place finishers in the 'Michael Stivic look-a-like contest - and a product placement deal with Budweiser?  You get Rick Baker's neighbor (other side of the street, a few doors down) to make you a creature costume. Then you go get the writer who did a day's work punching up one poker scene for an episode of MASH but got fired for refusing footwear on the set. In 1973, you could get a Thompson machine gun and grenades practically everywhere - so that is no problem. Then you grab you 8mm camera and put it to work on your singular masterpiece.  Really - this is fun. I could not put a name to who Fernman reminded me of, but I did think the art director did a fantastic job capturing his je ne sais quoi with the skull. Soundtrack is great. Last thing (if you were wondering): YES, this is in the same cinematic universe as "Drop Dead Fred" - this is the Fred who was hanging out with Phoebe Cates.

Con Air (1997) - another example of the Jacob's ladder effect

As we work our way through Merry Cage-mas, an argument could be made that "Con Air" is a fever dream Nick Cage's character has just before dying during that opening bar fight. 1) Monica Potter has abs of steel and is supposedly pregnant with their daughter. She is so not pregnant looking. So much so that, I do not know how they would have been far enough along to ultrasound the embryo. Additionally, he has just walked off a fishing boat into the bar she works at after getting home from deployment - when was the child conceived? 2) Nick Cage is immediately arrested and  sentenced to seven years in prison. During the film he writes & received fully formed letters from this child. In them, he talks about all the things they used to do with each other. When did these things happen?  3) Upon making his way into the titular 'Con Air' plane, Nick Cage has a shrink wrapped bunny rabbit doll he bought for this little girl as a present. Where did that come from? The pri...

Fences (2016)

Fences (2016) is nominally a story about being black in the United States of America in the 1950's. 'Troy' is a disaffected working man that never really had a chance. He is unable to make sense of an unfair world. Viola Davis doesn't get as much screen time (this is Denzel's movie), but when she is let on the scene, she destroys. 'Rose' is setting herself aside to make a life & family despite very little prospects for measurable happiness. Based on an August Wilson play - the magic of his writing is that at its root, this story is about people who set aside themselves for "existence". All people yearn for happiness on this world from their achievements (at least to achieve 'success' & 'happiness' relative to people around them). People want to proclaim they are in control of their situations. People want to be treated generously and with respect. People think that the world, society, economy, and people around them should a...