Skip to main content

The Big Sleep (1946) and (1978) - the medium snooze


I tried to watch both versions of “The Big Sleep” in close proximity to each other. I am very glad I went with 1946 first. I suspect the 1978 version more closely mimics the more lurid details of the Raymond Chandler novel, but salacious content does not make an interesting movie.


1946 is a great noir movie. 1978 is like watching a double episode of Falcon Crest; rather than noir, it is taupe.


In 1946, we had a 47 year old Humphrey Bogart playing alongside his new bride, the 22 year old Lauren Bacall. Bogart and Bacall are captivating. The rest of the cast is on their game and into the story. It is a blast from top to bottom. You really come to feel conflicted about Bacall’s character and her intentions. The two bit players that are the main bad guy’s henchmen are a hoot. This thing is funny and intense and the dialog is great.


In 1978, we have a 61 year old Robert Mitchum playing against and along with a 37 year old Sarah Miles - and everybody looks like they just finished a large turkey dinner and missed their nap time. Even Oliver Reed & Joan Collins are sleepwalking through it. The only character that is alive is Candy Clark’s ‘Camilla Sternwood’ - and she is a lunatic - so tonally out of step with everyone else it is ridiculous. She looks like she is doing a coked up version of her Oscar nominated part from “American Graffiti”.


In 1946, Howard Hawks directed the screenplay by William Faulkner (yes, that Faulkner), the amazing Leigh Bracket, and Jules Furthman. In 1978, we had writer / director / producer Michael Winner. I think he needed to give up the director job. He hits all the story beats - the sets and locations are great - but his performers are dead on their feet. Really good actors performing in such a way that was less interesting than watching those YouTube videos on rust removal = poor direction. Like Star Wars episode 1,2,3.


Comments

Popular posts from this blog

They Live (1988)

 "They Live" (1988) is a movie I had never seen until last night when I went over to my sister's place. What a gem (my sister and this movie). Roddy Piper does some of his best work - which even for a Canadian is pretty dull. If, while watching it, you imagine that he never heard the director call 'action', then his performance makes total sense. Offsetting this is any scene where Keith David or Peter Jason are in. They are acting their butts of and are enthralling. (Just so you don't get confused - Peter Jason is neither Meatloaf nor Jason Sudekis' father ... You might think he is, but he isn't). The movie itself is a 94 minute indictment on Reagonmics, and gets plenty preachy. It would be under an hour of you cut out the establishing shots of people walking. But - THE REASON this movie needs to be seen - is a fight scene between Roddy and Keith. It goes on for 5+ minutes - you think it is over at least 3 times - it has all the beats of a professional...

Big Deal on Madonna Street (1958) - it is a good deal better than the remakes

I got around to watching the original 1958 comedy caper film - the one that "Welcome to Collinwood" was pantomiming. "Big Deal on Madonna Street" is hilarious. It is 25 minutes longer than the remake and never once did I feel the need to check my watch. I even paused to go refill my water glass. There will be no problem telling who is who or how the story goes - it is well shot and characters are unique. The story is a simple and fun. Comparing the "BDoMS" and "WtC" - they are identical in terms of characters and scenes. "Big Deal on Madonna Street" street is terrific, and "WtC" is a slog. The biggest difference is seen in the dialog. In "Big Deal" the people just talk, like you might expect people to talk. They are funny, but not odd. The colloquialisms happen, but they aren't hard to see through. In "WtC", they are using a vernacular to make sure you are immersed deep in an Eastern European ethnic nei...

Fences (2016)

Fences (2016) is nominally a story about being black in the United States of America in the 1950's. 'Troy' is a disaffected working man that never really had a chance. He is unable to make sense of an unfair world. Viola Davis doesn't get as much screen time (this is Denzel's movie), but when she is let on the scene, she destroys. 'Rose' is setting herself aside to make a life & family despite very little prospects for measurable happiness. Based on an August Wilson play - the magic of his writing is that at its root, this story is about people who set aside themselves for "existence". All people yearn for happiness on this world from their achievements (at least to achieve 'success' & 'happiness' relative to people around them). People want to proclaim they are in control of their situations. People want to be treated generously and with respect. People think that the world, society, economy, and people around them should a...